The Brooklyn Rail has been invited to participate in the Venice Biennale. And, as New York City has gone into gentrification overdrive, TriBeCa Triangle Below Canal for those unaware is no longer a desolate area associated with artist lofts and underground clubs represented in the now unthinkable Scorsese film After Hours though, to be fair, that was mostly SoHo. As seen in the roster at Spring Studio, though, the festival has expanded their program of experimental and experiential media, much of it developed with the Tribeca Film Institute. Broken into 10 sections and elegantly animated and illustrated this does help when the whole film is one interview subject , what comes through is a comprehensive dose of the deadpan clarity and no-nonsense realpolitik analysis that Chomsky is known for. Outlining the vicious cycle of the wealth-power feedback loop that he argues can only be broken by popular movements and organized labor, much of the analysis is an overview of the last four decades or so that have seen a concerted effort from business and neo-liberals to turn back the popular power gains of the s. More to the point, deregulation has allowed the financial services sector to run amok and destabilize a teetering economy while at the same time building a nanny-state bailout model that serves their interests when the system crashes. Entwined with these dire developments is the growth of a sophisticated consent-manufacturing machine that has caught people in a rubric of consumerism and infected the election cycle to the extent that there are no rational, informed choices but only those fed by pabulum.
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The Brooklyn Rail
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